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Archive for June, 2010


Check Out Brainbox

Brainbox Review



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I picked this up on my Kindle because I needed some short stories to read while on the plane, and I figured I couldn’t go wrong at 99c. But don’t let the fact that this costs less than a cup of coffee and you can read this story in one sitting diminish from its depth and stimulation. It is classic science fiction in that it takes modern day science and sociopolitical issues such as climate change and imagines a potential outcome many years in the future – without sounding preachy. The story is thought provoking and for many days after my mind was trying to fill in the fictional life’s of all of the characters. The only negative thing that I have to say about this story is that I wish it was written as a novel! I will definitely be checking out this author’s other works.

Brainbox Overview

When the Earth begins cooling unexpectedly, humanity is left with only a few degrees of habitable latitude along the planet’s equator. After establishing themselves as the three remaining powers in the world, the Americans, Chinese, and Russians eventually turn on each other in hopes of securing the last of the Earth’s resources for themselves.

In an attempt to break the decades-long stalemate, the American military turns to Miguel dos Santos — a brilliant Brazilian roboticist — for help in creating the ASRA, or Autonomous Self Replicating Asset. The secret to the ASRAs is their neurological processors, also known as the brainbox, which enables the machines to “combine the logic and reasoning of a computer with the desperation and hate of the human soul.” But as Miguel reluctantly carries out his orders, it becomes clear that he has other plans for what remains of humanity.

This short story by Christian Cantrell is both a technological and psychological thriller which unfolds across a landscape as exotic and unpredictable as it is dystopian and barren.

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Wild Ride Review



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This is not a typical Crusie and some of the readers who reviewed this book seemed very unhappy and or disappointed with the story. I thought the story was hilarious, and anyone who is a fan of the paranormal or “modern” fantasies should find this a very funny read. I’ve always thought Fun Zones or Carnivals as kind of creepy places and clowns even creepier so I found it brillant in a wacky way to set the story in an amusement park filled with demons, devils and assorted baddies. Perhaps those who disliked the story should give it another try. The Crusie/Mayer team were playing with you folks, poking fun at a genre that has gotten so out of hand that a friend was complaining to me the other day about vampires, werewolves, wizards and demons taking over the bookstores. Now I’m a fan of Butcher, Briggs, Harrison and many others who write about things that go bump in the night but it seems one cannot turn around without another “new” author coming out with another take on the paranormal and I’d guess that Crusie has probably been asked to read, review and critique a bunch of this stuff, which might have given her the idea to do this story. It is a joke, a satire, yes, but a gentle one, she is inviting us all to share a laugh with her.

Wild Ride Feature

  • ISBN13: 9780312533779
  • Condition: NEW
  • Notes: Brand New from Publisher. No Remainder Mark.

Wild Ride Overview

The New York Times bestselling duo of Crusie and Mayer team up again with a hilarious paranormal novel that shows why the wildest ride at the Dreamland Amusement Park isn’t the roller coaster

Mary Alice Brannigan doesn’t believe in the supernatural. Nor does she expect to find that Dreamland, the decaying amusement park she’s been hired to restore, is a prison for the five Untouchables, the most powerful demons in the history of the world. Plus, there’s a guy she’s falling hard for, and there’s something about him that’s not quite right.

But rocky romances and demented demons aren’t the only problems in Dreamland: Mab’s also coping with a crooked politician, a supernatural raven, a secret government agency, an inexperienced sorceress, an unsettling inheritance, and some mind-boggling revelations from her past. As her personal demons wreck her newfound relationship and real demons wreck the park, Mab faces down immortal evil and discovers what everybody who’s ever been to an amusement park knows: The end of the ride is always the wildest

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Check Out Undead and Unreturnable (Queen Betsy, Book 4) (Berkley Sensation) for $3.07

Undead and Unreturnable (Queen Betsy, Book 4) (Berkley Sensation) Review



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One of the things I like best about this series is that it doesn’t take itself too seriously. That, and they are really quick reads. I read this yesterday. The whole thing.

The more we get to know the characters here, the more I love them. And this book does a great job giving us more to know about the characters.

Betsy reminds me me of someone I knew growing up – someone who could always make absolutely everything about her. No matter what. And Jessica is the friend who is there for Betsy no matter what, and even though she totally is aware of Betsy’s shortcomings. TIna is awesome – she’s one of the characters though that I wish we knew a little more about. Sinclair is awesome. The mental picture I have of him from the description…. yum. And he is so complex and so simple all at the same time. It’s great. Marc… love Marc and his ability to totally not care about the fact that he is living with a bunch of vampires. The Ant… well, I am actually a little disappointed that she and Betsy seem to be working out a “civil” sort of behavior towards the end of this book – but her evilness and ability to totally not care about her infant is one of the things that makes me love how Betsy tortures her. One of my favorite things to read is when Betsy explains to the reader how the Ant was possessed by the devil for a year (or thereabouts) and no one noticed. It cracks me up every time I read it! Because we are given just enough of the Ant by this book to totally sympathize with Betsy over her relationship with her evil stepmom.

In this installment the plot seems even more light (not sure that is the right word) then the first 3. Despite the fact that there is a serial killer on the loose. I have to say that this felt a little like one of those filler/set-up books. But it was still worth the read. The big “oops” moment where Betsy tells Sinclair that she can read his mind was great. And I like how he sulks because of it. I also really like Betsy’s sister Laura. Seems like there’s going to be a great showdown (when ever that comes) between Bets and Laura.

I will say that I thought there would be much more to the serial killer plot then there was. I mean it was a big part of the book, but it wasn’t really the driving factor. In fact, I would call it more of a sub-plot then the main plot (despite what the jacket leads one to believe). That said, this book did feel more like a bunch of sub-plots without a main plot. Unless the main plot is simply “Betsy is the Queen Vamp”. Which is ok with me. And come to think of it, that is sort of how I felt in the last installment of this series too. But each of the sub-plots is entertaining enough and fun enough that it doesn’t really bother me.

As always, the writing is more like a real conversation I could hear my friends and I having. The swearing isn’t too much – but is to me, always a perfectly real response to something. The love scenes between Bets and Sinclair are getting a little more in depth (and steamier and juicer as a result) but aren’t too much to alter the overall tone of the book. I think the tone the writing sets is one of the most appealing things about this series, and this installment lives up to the standard set by the first few. One of the things I like best is when Betsy’s fangs pop out, the writing of her speech is phonetic so it’s fun to read (although there wasn’t a lot of that here).

Ms. Davidson knows how to take a peripheral character and build on them, to develop them over time. I really like George. And I hope that we’ll see a lot more of him in the future books. The whole idea of the queen having the attitude Betsy has is a great and refreshing way to look at the Vamp romance books. This series to me is not “serious” reading – what I mean is, it is something to keep me occupied when in line at the grocery store or to read while eating lunch as a break from a very serious job. Fun. Not something I need to take notes while reading to make sure I catch all the clues and foreshadowing and where I am debating on a podcast where the series will go next (I read those too, and love them, but from time to time, I need the pure fun of books like these).

I also love the artwork on the covers. I am trying to snatch up as many of these in this series as I can before some genius decides to change the artwork on the books. I hate it when publishers do that. And I think the light hearted artwork is perfect for this series. It would be a real bummer to me if that changed (and I think it has… I saw on amazon the pic for the latest book – and it is a totally new “theme” (is that the right term?) and that makes me sad).

I really enjoy this series. And I picked up the next one right away… definitely ones to enjoy on vacation since they are such good fun!

Undead and Unreturnable (Queen Betsy, Book 4) (Berkley Sensation) Feature

  • ISBN13: 9780425210819
  • Condition: NEW
  • Notes: Brand New from Publisher. No Remainder Mark.

Undead and Unreturnable (Queen Betsy, Book 4) (Berkley Sensation) Overview

Queen of the Vampires Betsy Taylor is in the middle of planning the perfect wedding to drop-dead gorgeous vamp Eric Sinclair. But all is not bouquets and bridal showers-Betsy is plagued by ghosts who demand her help in rectifying their past mistakes, and a serial killer is on the loose. With his victims all being tall, blond women, Betsy fits the profile exactly.

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The Exile: An Outlander Graphic Novel Review



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The Exile: An Outlander Graphic Novel Overview

A luscious full-colour graphic novel — written by #1 New York Times bestseller Diana Gabaldon — that offers a completely new look at the original Outlander story!

The Exile retells the original Outlander novel from Jamie Fraser’s point of view, revealing events never seen in the original story and giving readers a whole new insight into the Jamie-Claire relationship. Jamie’s surreptitious arrival in Scotland at the beginning of the tale, his feelings about Claire, and much more — up to the point where Claire faces trial for witchcraft and must choose whether to return to her own century — are brought to life in brilliant four-colour art. A must-read — and a great holiday gift — for any Outlander fan!

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Along Came A Demon Review



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First in a new urban fantasy series, Along Came a Demon introduces Tiff (don’t call her Tiffany) Banks and the world she and her friends inhabit with a smooth, first person POV narrative, and a tightly compact plot that fits about as well as anyone could hope for in its limiting novella-length book. I have to give credit where it’s due; Linda Welch did an excellent job maintaining the intrigue and tension in this bare-bones plot and didn’t skimp on developing Tiff as she did so. There was a more noticeable fall off in the character development of the characters around Tiff, but with a story of this length, something has to be compromised, the question is only which aspect of telling a complete story will feel the most squeeze from that compromise.

Tiff sees dead people – well…some dead people, anyway. Anyone who died a violent or surprised death usually sticks around the area they were killed vainly hoping for someone to see, hear, and interact with them. And Tiff does it. She’s sort of a psychic, she supposes, but she’s never really put a label on what she can do any more than she knows why she can do it. She also sees demons, as if the whole dead victim thing wasn’t bad enough. They’re not exactly the classic fire and brimstone type demons, but they are certainly working with their own playbook, and Tiff both fears them and avoids them as much as possible. Unfortunately, the cop she’s shackled with while she tries to find an abducted child, is one of THEM and she trusts him just about as far as she can throw him. And he’s really big. And heavy.

Very nicely done novella, and honestly, one of the most complete story arcs I’ve read in a book of this length. Yeah, there were some points that didn’t get wrapped up neatly and a lot of questions I had left to ask, as well as things that didn’t make TOTAL sense given the shortness of time given to explain them, but overall I’m very pleasantly surprised by this title. The only significant criticism for the title is twofold, the first being the odd sexual/emotional relationship development between Tiff and Royal. Frankly, I wouldn’t have minded that being left out of the story entirely and instead just alluded to until the first full length novel had been done. That wasn’t the case and I muddled through it, but it wasn’t my favorite aspect of the book and I found it very discordant with the flow of the rest. I know it’s difficult to successfully nurture a romance in so short a novella, but it’s been done before and done well.

The second drawback was the wrap up at the end. Again due to the length of the novella in combination with the intricacies of the non-relationship plot, the author seemed to run out of room to write long before she ran out of story to tell, so the last chapter and epilogue seemed forced and abrupt and not organic to the story line. Along Came a Demon wasn’t flawless, as you can see, but it’s definitely one I’d recommend to fans of the UF and paranormal romance genres. The issues I have mentioned held back a perfect score, but I feel comfortable with a 4.5 star rating and am very much looking forward to the second book in the series. Nicely done!

Along Came A Demon Overview

I’m told the dead are all around us, but I wouldn’t know about that. I see only the violently slain. They could be victims of hit-and-run, innocents caught in a cross-fire or the murdered. They whisper to me and they never, ever, forget the face of their killer. They aren’t the only supernatural things I see. No, they’re not vampires, werewolves or fae – those things don’t exist. We live side by side with what some call the Otherworldy, but that’s too much of a mouthful for me. I call them demons. If you saw them as I do you’d know why. Right now I’m trying to find Lawrence, the missing son of a murdered woman. Or was she murdered? But Clarion PD gave me a partner I would rather shoot than work with. I can’t tell them he’s a demon. They’d think I’m crazy.

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Brave New World (P.S.) Review



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i read Brave New World in high school and it is one of the few books that i specifically remember disliking, probably due to the fact that the teacher and i consistently butted heads. so, in an attempt to give the book a fair second chance, i eagerly picked it up for the February installment of the English 101 Classics Challenge at The Olive Reader. i actually surprised myself and read it in a day and a half, which for me, means that it was at least half decent.

if you’ve never read BNW, then i would really suggest giving it a read. it just seems to be one of those few books out there that comes with a societal obligation to read it, and re-read it. it’s not that its the best book i’ve ever read, but rather that it is a very applicable book, one that speaks volumes about humanity and the impact of technology on such things as art, free will, and ethics. although i don’t really remember much about my first read-through, i’m certain that the takeaway from 10+ years ago to today was vastly different. as the world evolves, so will the parallels of a book such as this. much like 1984 by George Orwell (which i should also re-read someday soon), BNW is truly a timeless classic.

the storyline is simple, following a few workers from The Central London Hatchery and Conditioning Centre, a human hatchery, where embryos are developed, conditioned and ultimately brought up to be ideal citizens of various “castes”. Alphas are all genetically unique and are naturally the most intelligent, highest functioning individuals, whereas Epsilons are replicated by the hundreds and stunted in their growth and development to mindlessly, happily even, fulfill the more mundane needs of society.

“Alphas can be completely socialized – but only on condition that you make them do Alpha work. Only an Epsilon can be expected to make Epsilon sacrifices, for the good reason that for him they aren’t sacrifices; they’re the line of least resistance. His conditioning has laid down rails along which he’s got to run.”

through the various workers, we learn the cultural standards of this futuristic world where there are no mothers or fathers, no marriages or boredom, and therefore no apparent sadness. this `future’ that Huxley constructed back in the 1930’s is really not all that far off from where we are today, which makes the few extremes a little too realistic for comfort. for this reason, i now understand why this is so popularly taught in schools. i wish i’d gotten more out of it the first time, but i’m very grateful for the re-read.

i think my favorite part of the book is all of the various hypnopædic messages, such as “Progress is lovely”, which was received by a child for “five hundred repetitions once a week from thirteen to seventeen”. some were absolutely hilarious and added a haunting reality to the power of subliminal messaging. and, naturally, the plot develops as some of the characters begin to question these universally accepted messages.

‘He laughed, “Yes, `Everybody’s happy nowadays.’ We begin giving the children that at five. But wouldn’t you like to be free to be happy in some other way, Lenina? In your own way, for example; not in everybody else’s way.”‘

all in all, this is and will probably always be a very good book, well written and constructed. the characters are entertaining and there is a lot of gratuitous sexual content (although non-graphic) and drug usage, which is not surprisingly the only thing i actually remember from my earlier read. my only real complaint is that there are some lulls in the flow of the writing, particularly toward the end where it feels as though Huxley brings the various themes together in a stumbling sort of manner to the conclusion. but, that aside, i enjoyed the reading and would definitely recommend it to everyone.

Brave New World (P.S.) Feature

  • ISBN13: 9780061767647
  • Condition: NEW
  • Notes: Brand New from Publisher. No Remainder Mark.

Brave New World (P.S.) Overview

The astonishing novel Brave New World, originally published in 1932, presents Aldous Huxley’s legendary vision of a world of tomorrow utterly transformed. In Huxley’s darkly satiric yet chillingly prescient imagining of a “utopian”

future, humans are genetically designed and pharmaceutically anesthetized to passively serve a ruling order. A powerful work of speculative fiction that has enthralled and terrified readers for generations, it remains remarkably relevant to this day as both a warning to be heeded and as a thought-provoking yet satisfying entertainment.

This deluxe edition also includes the nonfiction work “Brave New World Revisited,” “a thought-jabbing, terrifying book” (Chicago Tribune), first published in 1958. It is a fascinating essay in which Huxley compares the modern-day world with his prophetic fantasy envisioned in Brave New World. He scrutinizes threats to humanity such as overpopulation, propaganda, and chemical persuasion, and explains why we have found it virtually impossible to avoid them.

With a Foreword by Christopher Hitchens

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Check Out The Blue Fairy Book for $23.46

The Blue Fairy Book Review



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These books are all fairy tales EDITED by Andrew Lang he has written none of them which is exactly what I had expected when I got it. If you get this because you want an Andrew Lang book, well that’s just silly. It says on the front cover that he edited them.

The Blue Fairy Book Overview

The book has no illustrations or index. Purchasers are entitled to a free trial membership in the General Books Club where they can select from more than a million books without charge. Subjects: Fairy tales; Fiction / General; Fiction / Fantasy / General; Fiction / Fantasy / General; Fiction / Fantasy / Short Stories; Fiction / Fairy Tales, Folklore

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Tall, Dark and Wolfish Review



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Benjamin Westfield has lived a rogue’s charmed life; A benefit of being the Duke of Blackmoor’s brother, as well as from a long line of shapeshifting werewolves. He is known for his seductive skills, and persuasive ways. That is until he finds himself unable to embrace his wolf form after a scandalous “incident”. A trusted friend sends him to find a renowned witch that has the ability to heal him. But once in Scotland he finds that the witch he was seeking is deceased, luckily her lovely and tempting daughter may still be able to help him.

Elspeth Campbell was born a bastard to a witch mother, and a werewolf father who abandoned her mother before she was born. She has lived a somewhat sheltered life with her mother and her grandfather…and while she is still gossiped about, and somewhat shunned because of her birth, she is reluctantly accepted by her community because of her kindness and her healing abilities. She is a part of a coven of witches, each with a unique talent, but as a whole are forces to be reckoned with. However, it has been prophesied that she will be taken from the coven, which may have a potentially devastating effect on them all. She hopes that the man who is coming for her is her father whom she is desperate to discover, only to find herself inexplicably drawn to the man she is determined to heal.

Can I just tell you how much I enjoyed reading this book…the characters alone make it a worthwhile read despite some of the things that didn’t quite work for me. Lydia Dare creates such amazing characters that you are immediately intrigued by, no matter if they are the hero, heroine, a main, or a secondary character. For me Tall, Dark and Wolfish was a historical romance that enjoyed settings in Regency England, and the Scottish countryside. It had some paranormal elements with its shapeshifters and witches, but neither in a comprehensive way. It was a little bit this, and a little bit of that of many of my favorite components, which may be why I enjoyed it so much.

However, as much as I enjoyed the book there were a few things that didn’t meet my expectations, or felt would have made the story better. I didn’t feel that the “incident” that led to Ben’s inability to shift was adequately revealed….at least to the point that I thought it explained it to equal the meaning this moment in his life held. Elspeth also experienced a pivotal moment in her life with the death of her grandfather, and I felt that her grief over his death was woefully inadequate considering his role and importance in her life. I was also a little disappointed that it was so easy to guess who Elspeth’s father was. This was a thinly veiled mystery for even Elspeth to reveal, and considering her parents love for each other I would have thought he would have been harder to find since neither of them found their way back to each other. Finally I was disappointed that the author made Elspeth so eager to have a love affair with Ben outside of marriage since she carried the mantle of “bastard” all of her life. This stigma was repeatedly remarked upon on how it made her feel. Which is why I was surprised that it didn’t seem to matter to her that she was following in her mother’s footsteps…making the same mistakes without seeming to have any second thoughts.

My final thought is on a more positive note. Each person born from a Lycan parent carries a mark, much like a tattoo, and the author cleverly uses this mark as a way for the hero and heroine (mates) to entice, arouse, or summon each other across distances by touching or stroking it. I thought this brought what I felt was something new to the shapeshifter genre and I liked that about it.

Despite these comments, Tall, Dark and Wolfish is as charming as its hero and heroine. I fell in love with each of its characters including all of the secondary characters. Lydia Dare has created a tempting paranormal romance series, not only with her Westfield brothers, but also with her coven of young witches. I know she has at least two more “wolf” books, but I dearly hope she returns to Elspeth’s witchy “sisters” and give them each their own happy ending. Each of them was enchanting, and I can’t wait to read the devilishly enticing brother William Westfield’s story in The Wolf Next Door due out in June.

Ratings:
Overall: 4.00 stars
Sensuality Level: 2.75

Tall, Dark and Wolfish Overview

In Lydia Dare’s debut trilogy, Regency England has gone to the wolves!

He’s lost the most important part of himself…

Lord Benjamin Westfield is a powerful werewolf-until one full moon when he doesn’t change. His life now shattered, he rushes off to Scotland in search of the healer who can restore his inner beast, only to find she’s not at all what he expected…

She would make him whole, if she could…

Young, beautiful witch Elspeth Campbell will do anything to help anyone who calls upon her healing arts. Then Lord Benjamin shows up, and she suddenly discovers she may need him even more than he needs her…

Praise for A Certain Wolfish Charm

A Certain Wolfish Charm has bite! With its sexy hero, engaging heroine, and sizzling sexual tension, you won’t want to put it down even when the moon is full.”
-Sabrina Jeffries, New York Times bestselling author of Wed Him Before You Bed Him

“Tough, resourceful, charming women battle roguish, secretive, aristocratic men under the watchful eye of society in Dare’s delightful Victorian paranormal romance debut.”
-Publishers Weekly (Starred review)

(20100316)

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The Sandman Vol. 1: Preludes and Nocturnes Review



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The world of comic books was a very different place before the Sandman came into being. Neil Gaiman revolutionized the graphic novel with “The Sandman Vol. 1: Preludes and Nocturnes,” an exquisite story filled with shadowy realistic art and strange magical beings. This is one of those rare stories that tantalizes you with beauty and chills you to your core, all at the same time.

A group of occultists are attempting to summon and trap Death… but instead, they capture Dream and lock him in a glass orb. Decades pass, and countless people are locked in slumber — unable to dream, unable to wake for long. One day, Dream escapes his prison and reenters the world, but loses the last of his power with his final act of revenge.

His Dreamworld palace has fallen into ruin, and his magical items have been scattered. To regain his power, he must get back his helm, his pouch of sand, and his dreamstone. His journey to regain them will take him across worlds — to John Constantine and a woman destroyed by dreams, to the depths of Hell at a demonic club, and a ghastly madman who drives various people to depravity and death.

The world of “The Sandman” is a strange one — it lightly interlocks with other graphic novel series, effortlessly slips from one world to another, and exposes both the beauty and ugliness of our own world. “Preludes and Nocturnes” is an excellent introduction to Neil Gaiman’s strange, expansive world — as well as his hollow-eyed anti-hero.

At its core, the story is rather simple, since it’s basically a quest for Dream’s three magical “tools.” But Gaiman paints it with foreshadowing, nightmarish grotesqueries (flesh melting off bones, John Dee’s drooling lipless face), and some zanily macabre humor (the Hellfire Club… in hell!). And as the dust settles, Gaiman caps his story off with a quieter interlude in which Dream encounters his sister Death.

And the artwork is sublime — realistic in style, but often bizarre and a little frightening in theme. And despite the core colors being shadowy greys, whites and blacks, there are splashes of bright colors everywhere. Green fields, blue hallways, psychedelic skies, hallucinations filled with sickly pallid hues.

And Gaiman created one of his most iconic, complex characters in Dream — his inhumanness is underlined by acts of great cruelty and kindness, and his sad, grim demeanor is more than a little touching. The author also spun up a very nonstereotypical version of Death. No robes, scythes or skeletal faces here. In fact, forget about anything sinister — this version of Death is a delightfully quirky, perky goth chick.

“Preludes and Nocturnes” is a harrowing and hypnotic look into the world of dreams — what happens when the Sandman is imprisoned, and what must be done after. Sublime.

The Sandman Vol. 1: Preludes and Nocturnes Feature

  • ISBN13: 9781563890116
  • Condition: NEW
  • Notes: Brand New from Publisher. No Remainder Mark.

The Sandman Vol. 1: Preludes and Nocturnes Overview

“Wake up, sir. We’re here.” It’s a simple enough opening line–althoughnot many would have guessed back in 1991 thatthis would lead to one of the most popular and critically acclaimed comics of the second half of the century.In Preludes and Nocturnes, Neil Gaiman weaves the story of a man interested in capturing the physical manifestation of Death but who instead captures the King of Dreams. By Gaiman’s own admission there’s a lot in this first collection that is awkward and ungainly–which is not to say there are not frequent moments of greatness here. The chapter “24 Hours” is worth the price of the book alone; it stands as one of the most chilling examples of horror in comics. And let’s not underestimate Gaiman’s achievement of personifying Death as a perky, overly cheery, cute goth girl! All in all, I greatly prefer the roguish breaking of new ground in this book to the often dull precision of the concluding volumes of the Sandman series. –Jim Pascoe

The Sandman Vol. 1: Preludes and Nocturnes Specifications

“Wake up, sir. We’re here.” It’s a simple enough opening line–although not many would have guessed back in 1991 that this would lead to one of the most popular and critically acclaimed comics of the second half of the century.

In Preludes and Nocturnes, Neil Gaiman weaves the story of a man interested in capturing the physical manifestation of Death but who instead captures the King of Dreams. By Gaiman’s own admission there’s a lot in this first collection that is awkward and ungainly–which is not to say there are not frequent moments of greatness here. The chapter “24 Hours” is worth the price of the book alone; it stands as one of the most chilling examples of horror in comics. And let’s not underestimate Gaiman’s achievement of personifying Death as a perky, overly cheery, cute goth girl! All in all, I greatly prefer the roguish breaking of new ground in this book to the often dull precision of the concluding volumes of the Sandman series. –Jim Pascoe

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The Moonstone Review



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Wilkie Collins (1824-1889) was a masterful Victorian novelist of what were labelled as “sensation novels.’ Collins is also among the first English novelists to pen detective stories. Along with “A Woman in White” he is best known for “The Moonstone” his periodically published best seller. The novel has been adapted for stage, screen and television a number of times since its publication.
The novel deals with the theft of a huge and expensive yellow diamond dubbed the moostone. The novel’s prologue reports that it was initially stolen by Col. John Herncastle who brought it back to England. All of this occurred during the British Army’s storming of the Hindu stronghold of Seringapatam in 1799.
The novel is told by a series of narrators who give their story of the happenings which led to the second theft of the moonstone: The mooonstone was stolen on the night of June 21, 1848 at the Yorkshire estate of the widowed Lady Verinder. Her daughter Rachel is celebrating her 18th birthday that memorable evening; she is presented the valuable gem by her enamored cousine Fredrick Blake. Blake has brought Rachel the stone all the way from London.
It was a gift for Rachel from her uncle Herncastle who left it to her in his will. On the night of the disappearance three strange Indian jugglers have appeared on the premises. They are, in actually, three Hindu priests of the Brahmin caste in search of the famous moonstone. They will not let anyone stop them from returning the gem to the idol deep in the Indian jungle which is worshipped by Hindu devotees. The moonstone is stolen that very night? Whodunit?
The cast of characters are well drawn, eccentric and quirky. Among them
Rachel Verinder-The virginal young maiden who is the recipient of the moonstone
Fredrick Blake-Rachel’s lover who is one of the prime suspects in the theft due to his debt problems.
Godfrey Ablewhite-The pious hypocrite social do-gooder who courts Rachel.
Roseanne Spearman-A strange housemaid who has been in prison for theft. She commits suicide by dying in the shifting sands on the coast of Yorkshire. She leaves letters and is a key to unraveling the plot. Roseanne is madly in love with Fredrick Black though she is plain and poor.
Lady Verinder-A beautiful widow who is mortally ill. She is Rachel’s mother
Dr. Candy-a local physician.
Eliza Jennings-A fascinating man who assists in the resolution of the mystery. He is medical assistant to Dr. Candy.
Miss Clack-the humorously annoying character who is related to Lady Verinder. She seeks to force religious tracts on the unwary and carries a torch for Godfrey Ablewhite.
Mr. Bruff-The gruff and rough attorney for the Verender family.
Septimus Luker-A shady London pawnbroker.
Gabriel Betteridge-A faithful servant of the Verender family. His narration is the longest in the book. He is inordinatley fond of reading Robinson Crusoe while enjoying his pipe and friendship with his two faithful dogs
Along the way the reader will learn about opium addiction, legal matters, love and murder. The Moonstone remains as one of the best detective novels in English literature. To reveal the plot is to destroy the story for first time readers. Enoy the mesmerizing spell cast by the master of suspense-Wilkie Collins!

The Moonstone Overview

Intrigue, investigations, thievery, drugs and murder all make an appearance in Collins’s classic who-done-it, The Moonstone. Published in serial form in 1868, it was inspired in part by a spectacular murder case widely reported in the early 1860s.

Collins’s story revolves around a diamond stolen from a Hindu holy place. On her eighteenth birthday, Rachel Verinder receives the diamond, but by the following morning the stone has been stolen again. As the story unravels through multiple eyewitness accounts, the elderly Sergeant Cuff – with a face “sharp as a hatchet” – looks for the culprit.

One of Collins’s best-loved novels, with an exciting plot moved along by deftly-drawn characters and elegant pacing, The Moonstone was also turned into a play by Collins; the play appears as an appendix to this edition.

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